I’ve been thinking about the headline of the Scoble post I addressed last week: “What do the freaking tech bloggers want?”

Specifically, does the periodic cuss word (or derivative) enhance storytelling or at the very least command attention?

I think the power of a cuss word can come from the element of surprise. If Martha Stewart drops an f-bomb while she’s baking brownies that’s going to grab your attention.

But the words “freakin” and “freaking” tend to be so overused today that they’ve lost their ability to jar. Rather than depend on gut feel, I turned to the wonders of the Factiva database to chart usage over the past five years.

You can see the two words have been gaining traction to the point that we’re projecting - I know the polls haven’t closed but go with me on this one - 7,122 articles will carry them in 2008. For context, Steve Jobs, who can hold his own with the likes of Britney Spears when it comes to media captivation, won’t show up in as many articles this year at the current pace.

Furthermore, I think it’s fair to say the words enjoy even greater use in the blogosphere. I couldn’t figure out how to search postings employing “freakin” or “freaking” by year, but a quick IceRocket search resulted in 122,923 hits.

Talk about overexposure.

Then again, with the right context the repetition of a cuss word can become a story in itself. For Exhibit A, look at Lee Elia’s meltdown back in 1983 when he was the manager of the Chicago Cubs. His profanity-laced tirade after the Cubs lost another game lives on in infamy thanks to the Internet.

Why?

It was so over the top for a public figure to spew expletive after expletive.

And yes, like all good stories it rang with authenticity.

With the fervor surrounding the Beijing Olympics close to its apex, any story tied to China gains some extra juice.

That’s why you see announcements like the one by IODA (the Independent Online Distribution Alliance) launching the largest digital music store in China timed to lead into the Olympics opening ceremonies on August 8.

Timing aside, IODA paints the classic contrarian story with an angle that never goes out of style, the quest for money.

At a high level, here’s how the IODA story flows:

• China just took the worldwide Internet user mantle, surpassing the U.S. with 253 million Web users at last count. To paraphrase Jed Clampett from The Beverly Hillbillies, “There’s gold in them there hills.
• But piracy has crippled the music industry in China. In fact, the largest search engine in China, Baidu, owes its king-of-the-hill status largely to pointing the Chinese netizen to links for downloading unlicensed music.
• Enter the Wawawa Music Store.
• Now, for roughly three cents per song, the Chinese consumer can download music.
• IODA and its partners generate oodles of yuan in the largest Internet market in the world, and at three cents a crack, I do mean “oodles and oodles.

The Associated Press ran with the story, which in turn drove coverage in the print media and the blogosphere. AP did a decent-enough job telling the story, equating the cost of the monthly subscription service to the price of a burger, fries and soda at McDonald’s

But it missed an opportunity to accentuate the relevance of the story to Americans and others around the world. 

Namely, why can’t anyone download songs at three shekels?

As I understand it, the Wawawawa (just felt like throwing in an extra “wa”) music is not DRM-protected to make downloading as easy as possible. What’s to prevent me from grabbing the latest track from indie band Woodhands?

Or if this isn’t possible, then why isn’t it possible? And how long before some enterprising acne-challenged kid codes a solution for the world at www.everyonecangetsongsforthreecents.com?

That’s the story I expected to read.

My last post lamented the lack of quality video earmarked for a B2B audience.

Which isn’t to say business videos are a complete wasteland.

There’s an eclectic blog called Valley Zen – promotes itself as the intersection of Zen and technology; I thought that was Nolan Bushnell’s dream with Chuck E. Cheese’s – that showcases a video interview with VC Tim Draper from Draper Fisher Jurvetson.

It’s good.

No, make that darn good.

Why?

It certainly doesn’t hurt to be comfortable in front of the camera. But there’s more going on here than a relaxed demeanor.

For starters, this isn’t your garden variety story from another VC headliner on why I’m rich and you’re not. Instead, you’ve got Draper kicking off the interview with his eyes closed and arms extended uttering the mantra: “I’m now at peace with my Zen.”

Very Californian.

From there you get to know a little more about Draper, his philosophies and how he defeated a cape buffalo in Africa.

Just as important as the storyline, no one is taking themselves too seriously. When was the last time you watched a dour guest on Oprah?

On the production side, it doesn’t hurt to have the professionals from Localfilms as your crew. Yet, there are lessons for the novice videographer such as breaking up the video in sections with stills and varying the camera angles.

Of course, if you’ve got dull people pontificating on a dull topic you’re going to end up with a dull video.

As my daughter would say, “Duh.”